By Paul Jansen
•
18 Sep, 2020
I don’t think I have been more excited about a book arrival than this one: ‘No Rules Rules – Netflix and the Culture of Reinvention’ by Netflix co-founder and CEO Reed Hastings and INSEAD Professor Erin Meyer. And that is for several reasons. First: the Netflix story is of course one of great success, only partially helped by worldwide lockdowns encouraging people to seek home-based entertainment, and to learn about its secrets sounded hugely enticing. Secondly, the publicity machine around this launch had provided sufficient glimpses to make me suspect that the Netflix way of working had a lot in common with the ‘self-managed’ organisations that I have a passion for. And thirdly, I loved Erin’s previous book ‘The Culture Map’, both for its content and for its engaging style. High expectations therefore, and as I was installing myself on the sofa for a binge-read of Netflix proportions I was not disappointed... Funnily enough, this is the second book in a row that I am reviewing, that has been co-written by two authors who each give their own perspective. Reed brings the business story and his personal lessons that led to him wanting to set up Netflix very differently from his previous company, as well as how that model subsequently evolved to what it is today. Erin provides at times a more theoretical context, but also a more independent and questioning view based on the more than 200 interviews she conducted in the company as well as her own professional background. That combination works best where Netflix workers are allowed to tell their stories and how they – mostly – embrace how the organisation’s principles work for them, but also how they had to get used to the more radical aspects, especially when coming from very different business cultures. Netflix’ foundational principles are coming down to a combination of Freedom and Responsibility (‘F&R’). The Freedom is expressed through high levels of autonomy, (e.g. employees being able to place big bets on things they believe in, without the need for higher-level sign-off), openness and absence of controls. The Responsibility side of the equation means that great ownership is expected for the decision you take, that frank feedback is given and received as a matter of course, and that your Netflix career is likely to be over if you are no longer considered a ‘keeper’. It all grew from Hasting’s experiences with his first business venture, a software company called Pure Software. Although in the eyes of most of us still a very successful business, Hastings was frustrated with the absence of innovation in the company as it grew larger. From a nimble, fun, entrepreneurial start-up, its success and resulting growth seemed to inevitably lead to more structure, more processes and procedures and a workforce that would suit that ‘safety-first’ environment best. Although the IPO of the company made Reed a wealthy man, he vowed that his next venture would not make the same mistakes. The second defining spark to Netflix’ culture was of a much more personal nature. As he became more and more engrossed in his growing business, Reed’s marriage went down the doldrums. It was during their marriage counselling sessions that he learnt that being able to provide and receive frank feedback was the only way to learn and change. If Netflix was to stay innovative, candour was going to have to be an essential tool. Having set the scene, the book takes us on a journey that tells the story in three parts of how Netflix put F&R in practice and how it evolved along the way. Part One: the first steps towards a culture of F&R . These consist of: 1. Building a great workplace by hiring ‘stunning colleagues’ 2. Increasing candour through frank feedback (with positive intent) 3. Removing controls It is in this section that Reed’s ambition for a top-performing company becomes clear, which he intends to achieve by recruiting top-level employees. Highly talented, diverse people who deliver stellar performance are the foundation stone for everything else. Only then, in the CEO’s view, can you have employees operate in a frank and open environment where giving and receiving feedback is second nature. Netflix learnt how this needs to be guided by clear principles (and training) in order for it to be successful, hence feedback is given and received using a 4A method: Assisting, Actionable, with Appreciation and the freedom to Accept or disregard. For this openness to work, the company needs to set the tone. If you expect staff to treat each other like adults, it starts with the top. So Netflix decided to remove a number of key controls: the travel and expense policy was replaced with ‘Act in Netflix’s best interest’ and the holiday policy was abandoned. Not only did this increase the levels of trust in the organisation, it also led to (generally) better behaviours and reduced the costs involved in the control processes themselves. Part Two: How to take the Next Steps 4. Pay top dollar 5. Open the books 6. Push decision-making to the frontline Where most companies would be suspicious if its employees would talk to the competition or a local head-hunter, Netflix encourages it. It pledges to pay top market salaries, so what better way to test your worth than by speaking to recruiters. This open approach has led to attracting the best creative minds in the sector, and may well explain part of Netflix’ success. Note, though, that this rule applies to the creative employees, not to the operational ones. Building on the theme of openness, Netflix decided to go further and share all financial and performance information with all employees (and continues to do so to this day, even though it is now listed on the stock exchange) to provide all with the context necessary to do their job well. This is accompanied by other symbols and acts of openness, such as the absence of closed offices, the way tough decisions are communicated and how failures are shared. With this in place, employees are able to take ownership for their decisions. They don’t need approval, but they must seek advice from others who may improve the quality of that decision. This does not imply a search for consensus: the employee decides and takes full responsibility. That may sometimes lead to errors, but the lack of speedy innovation and risk-taking is regarded a bigger threat to Netflix’ success than the odd mistake. Part Three: on reinforcing a culture of Freedom & Responsibility , by: 7. Consistently driving the workforce to be top performers: the Keeper Test 8. Go even further with frank feedback 9. Remove even more controls ‘Which of my people, if they told me they were leaving for a similar job elsewhere, would I fight hard for the keep?’ That is the basis for the Keeper Test, a rather ruthless principle that Netflix applies every so often to ensure their workforce retains ‘premier league’ abilities and drive. So much ingrained is this principle, that employees (remember the spirit of frankness) even ask their managers how to make sure they stay on the Keepers list. Merely ‘adequate’ employees are asked to leave (with a generous severance package) so that the organisation can move on with its top performers. Cruel? Quite. I’m sure this is the most controversial of the Netflix practices, and one which would not suit every worker or go down well in many Western European countries. Do you like the Keeper Test? How about giving and receiving 360 performance feedback around the (dining) table with your colleagues? That is the Circle of Feedback practice that has resulted from the culture of openness as the next step in actionable feedback. As Erin rightfully says, it’s probably as attractive a prospect as going to the dentist regularly, but at Netflix they believe it’s worth it. With top-performing employees, you can now lead with context rather than controls, and let decisions be made where the knowledge and ownership are the greatest: at the frontline. At Netflix, any employee can make multimillion-dollar decisions themselves and take full ownership, without sign-off from higher levels. For that to work, all of the above needs to be in place, and the company focuses on setting and consistently communicating the context of where it wants to go. The main role of the hierarchy, therefore, is not to command and control, but to specify the context and support the employee, the ‘informed captain’, in arriving at and implementing her decision. The book’s 10th chapter (Part 4) deals with Netflix’ international expansion (currently 7,000 employees in half a dozen countries and its services available in over 130) and how its culture translates to other parts of the world. Unsurprisingly, from time to time it doesn’t. The stories involved are fascinating in how employees have found their way in dealing with it, and how Netflix found ways to be more open to the different perspectives of its now multinational workforce. Whether it’s about having short factual meetings versus building relationships, or whether feedback is delivered with or without a positive cherry on top, these are highly insightful anecdotes that most of us will recognise one way or another. The learning there is not only for those working in an international context, but also for those considering adopting some of Netflix’ concepts into a very different organisational culture. So what’s the verdict? As a – business – book, this is a highly readable, binge-friendly book, well-written, with lots of anecdotes and personal voices in addition to some theory and various practical tips. It provides a great insight into what has made Netflix into this enormously successful venture and it will make a lot of other business leaders question which practices they can benefit from too. Read through the lens of self-management, and with the experience of working with Buurtzorg, one of the most successful self-managed organisations in the world, I recognised a lot of what Hastings preaches: on feedback and openness, on leading with context, on removing controls. I don’t know whether Netflix could be considered a self-managed organisation, but that is a somewhat academic question. Its practices show that these concepts can work at scale in a highly innovative, highly competitive market and that is an encouragement to those of us who share that conviction. I do have some reservations about the thinking behind some of Netflix’ principles and practices. For one, my experience is that openness and candour can work with any workforce, not just with an elite of highly talented individuals. As Reed admits himself, a framework and training is essential to make this work well, and that goes for any group of employees. Secondly, as Buurtzorg and others prove on a day to day basis, even in non-creative yet high-risk and complex environments, there are strong arguments for reducing ‘rules and process’ and trusting and supporting the workforce instead. Alternative controls and providing the right context often produce better outcomes than control proxies and best-practice straight-jackets. Finally, with ‘trust’ being the essential ingredient for any concept of self-management, I do wonder how well that fits with Netflix’ Keeper Test. It seems to work for them, but I would warn against it being adopted by your average company that lacks the foundation and organisational learning that Netflix built up over many years. All in all this book is a must-read for any progressive business leader. With the insights provided it will be fascinating to see how Netflix will evolve over the coming years. Bring on Season 2! If you are interested in these and related topics, check out our new Trust Works website on www.trust-works.co.uk